As a premier Columbian Cultural Center of higher education, the InglesAgil's wide spectrum of facilities and programs create a rich environment for learning and discovery. But those places are also great public resources. Open to children and adults around the country, the RecStay Cali Columbia Cultural Campus is a great place to find a book, look at art, walk in the garden, explore the mysteries of the deep blue sea of investigative knowledge or gaze at the stars millions of miles away.

lunes, 26 de septiembre de 2011

Giannina Brusatin "Cartografías" @ Alianza Colombo Francesa de Cali



Sala de Exposiciones de la Alianza Colombo Francesa de Cali

Cartografías, íntimas expresiones de sensibilidad frente al mundo circundante; un recorrido por viajes, mapas, geometrías y vistas aéreas guiado por la memoria misma de la artista. Con formas diversas, orgánicas, de líneas y multiplicidad de colores, el hilo de los recuerdos personales se transforma en abstractas interpretaciones cartográficas que rompen con la rigidez de lo conocido. Un viaje realizado a través de los sentidos y el detalle, que permite diversas rutas reales e imaginarias, exploraciones de otros mundos, movimientos, conflictos y cuestionamientos.

Giannina Brusatin:

Giannina Brusatin: Nacida en Cali (Colombia), esta joven artista graduada de Pratt Institute de Brooklyn (Nueva York, Estados Unidos) en 2004, ha participado en múltiples exposiciones en salas de Nueva York y Florida, donde algunas de las más destacadas son “Distance, Destination and Destiny”, South Pointe Art Project, Miami Beach (Estados Unidos, 2005) y “Art and the City”, Art Center/South Florida, Miami Beach (Estados Unidos, 2005). Habiendo realizado su residencia en el Art Center/South Florida de Miami Beach (2004-2005), donde obtuvo la aprobación del jurado, es actualmente candidata a la Maestría en NYU Steinhardt School, Nueva York (Estados Unidos).





(347) 722-0023



giannibrusa@gmail.com



Geometry becomes a distortion and abstraction of the world that surrounds me, and painting is my reaction to that world. Memory guides me. Shapes remind me of places, of aerial views, geometries that surround me and have control over me. That control must be broken by allowing the hand to distort and break its rigidity. I use my own means of traveling through the surface. Different routes, different angles lead to new places. This travel is accomplished through the senses; my tools are shape,lines and color. These provide a spectrum of directions, some actual, some imagined. These paintings raise questions through the description of multiple routes. Questions without specific answers, places arrived at when no destination is planned. Navigating the routes involve strategies of motion and conflict. There is always wonderment in new land being discovered. Endless coordinates, endless routes.

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